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![[Seguin]](http://www.borsheimarts.com/images/zac/19870215_KellyZacMeet.jpg)
Kelly meets Zac 15 February 1987
![[bonding; getting scent]](http://www.borsheimarts.com/images/zac/19870222g_ZacBondingWithKelly.jpg)
Zac getting Kelly's scent overnight -- his first night in his new home 22 February 1987
![[yellow lab]](http://www.borsheimarts.com/images/zac/19870225a.jpg)
Zac and Kelly 25 February 1987
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Zac in Martindale, Texas 1 March 1987
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Zac's 1st Vet visit 10 March 1987
![[Padre]](http://www.borsheimarts.com/images/zac/19870414_ZacGulls.jpg)
Zac and gulls at Padre Island, Texas 14 April 1987
![[travel companion]](http://www.borsheimarts.com/images/zac/19870626_Zacwants2go2Mexico.jpg)
Zac wants to go to Mexico with Kelly (he didn't); 26 June 1987
![[diving dog]](http://www.borsheimarts.com/images/zac/198707_Zacdiving.jpg)
Zac ready to go scuba diving July 1987
![[with Jason]](http://www.borsheimarts.com/images/zac/19871128a_ZacJason5miledam.jpg)
Zac with Jason 5-mile Dam, Blanco River San Marcos 28 November 1987
![[canoeing dog]](http://www.borsheimarts.com/images/zac/19900526b.jpg)
Canoeing on the Colorado River, Bastrop 26 May 1990
![[tubing with Joe]](http://www.borsheimarts.com/images/zac/19900610_withJoe.jpg)
Tubing the San Marcos River with Joe 10 June 1990
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CONTENTS:
- Dedication
- Spontaneity
- Sculpture in the South
- New Bronzes
- Teaching
- Subscription Info.
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![[Zac]](http://www.borsheimarts.com/images/zac/19940212b.jpg)
Zac and Kelly, 12 February 1994
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This newsletter is dedicated to my beloved Zac, who has been my sweetest and most constant companion for over 15 years. Zac was born in Seguin, Texas, on 12 January 1987. He traveled with me all over the United States and even played with me in the tide pools of Vancouver Island in Canada. Zac died here at home on Saturday afternoon, April 13th, 2002.
Since we did not speak the same language, he taught me to understand better how we communicate with our bodies. Yes, sometimes he demanded attention with strong, persistent nudges - adamant that I would "hear" him, but I learned to understand his needs and desires by watching him move. I got pretty good at recognizing the nuance of meaning in the tilt of his head, a shift in posture, a change of expression. I learned to see the decisions he was making. These skills he taught me have helped me to become a better artist and, I suspect, a better person.
He brought so much joy to my life and I hope that these images will give you some idea of our lives together. Thank you for sharing this tribute to Zac with me.
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SPONTANEITY
In an online discussion some weeks back, a photojournalist shared that he tries to teach his students to "shoot with intent." The response often was, "Doesn't that get in the way of spontaneity?"
An interesting question. In a generation that expects instant gratification, has spontaneity come to mean only random surprises (from "a momentary impulse")? As a lover of the nuance in words, I decided to review my understanding of the word "spontaneous". Some definitions my dictionary gave are:
- proceeding from natural feeling or native tendency without external constraint
- controlled or directed internally: SELF-ACTING
- developing without apparent external influence, force, cause, or treatment
- not apparently contrived or manipulated: NATURAL
Although a topic for further discussion, what I found interesting in the definition is WHERE the energy or action comes from and the implied importance of perception. Spontaneity is not APPARENTLY influenced or pre-conceived. Spontaneity is purely internal. "Without external influences" implies that spontaneity is unique for each individual. APPARENTLY, the search for spontaneity is the search for self.
Spontaneity = naturalness. This is why artists value seeing the world in a childlike manner. It is discovery without preconceptions. It is pure joy. And it is not random.
Intent comes from the "act of stretching out". Again, notice the direction. To "shoot with intent" probably means to reach for what is uniquely and purely our own. Intent is a tool, not an obstacle, to seek spontaneity.
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SCULPTURE IN THE SOUTH
Please join me in Summerville, South Carolina, for the Sculpture in the South exhibit on May 18-19, in Azalea Park. I have also been invited to give a talk on the art of carving stone during the show at 2 p.m. on Sunday, the 19th.
I am working diligently to finish a new stone carving of a dolphin out of Utah alabaster and hope to bring the finished work to the exhibit. The citizens of Summerville and the organizers of the show have treated me very well, so please come to Summerville the weekend of May 18-19 and enjoy some of that famous Southern hospitality and lots of wonderful sculpture.
For more information, please visit:
borsheimarts.com/exhibits.htm
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NEW BRONZES:
Together and Alone is back from the foundry now and will debut at the Sculpture in the South exhibit announced above. The bronze looks wonderful - even the foundry owner asked me how I managed to reach in to sculpt the woman's hands. If you would like to preview the bronze online, please click on the link below:
borsheimarts.com/sculpture/2001/alone.htm
Also, Torsione is a new male figure that is being cast into bronze VERY soon. Often inspired by dance, I loved the challenge of sculpting this figure with a wonderful twist in the torso, while taking advantage of the bronze medium's ability to show off extended limbs in a figure. The pre-casting discount offer described on my Web site ends on May 14, 2002, so act quickly - a one-third deposit reserves your bronze! By the way, "Torsione" means "twist" in Italian. I enjoyed the similarity of that word to the English "torso."
borsheimarts.com/sculpture/2002/torsione.htm
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TEACHING:
Since I have such a busy exhibition schedule this summer, the course in Sculptural Anatomy that I teach at the Austin Sculpture Center will be taught as a 4-day workshop in this summer's session. Dates are Thursday, July 11 through Sunday, July 14, 9 a.m. to 4 p.m. each day. Cost will be $140 plus text and materials.
If you would like to receive the course schedule, please contact Shirley Kivell, director of the Austin Sculpture Center, at 512-371-7606 or e-mail asc@tsos.org .
If you would like more information about my class or the materials needed, please visit:
borsheimarts.com/class.htm
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I hope this newsletter finds you and yours happy and healthy. Thank you for reading.
With kindest regards,
Kelly Borsheim
8 May 2002
P.S. Thank you for your interest and support. If for some reason you would prefer to unsubscribe from this newsletter, just respond to this message with your wishes. If there is a question you would like answered in this newsletter or a topic discussed, please just drop me a line.
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