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[Borsheim Arts Studio]

Stone Sculpture by Kelly Borsheim

Sculpture / Stone: Click on an image for more information.

Ascension Invitation:
[marble art]

Gymnast:
[marble art]

Back to Back:
[marble art]

The Offering:
[figure art]

Encounter:
[marine art]

Pelican Lips:
[stone marble art]

Fish Lips:
[marble art]

Mobius Mouth:
[stone sculpture]

Zebra Lips:
[stone sculpture]

Lips of Life:
[stone sculpture]

Kiss Me Blue:
[marble art]

Yin Yang:
[stone art]

Stargazer:
[stone art]

Lips With Tie:
[stone art]

Marble Torso:
[marble]

Torso 8:
[Stone sculpture]

Get Out!:
[stone art]

Bird:
[stone

Gemini:
[stone art]

Lips:
[stone sculpture]

Green Venus:
[stone

Adam:
[stone

Joy:
[fine art stone]

Brian:
[stone carving]

Sea Turtles I:
[Limestone

That's Amoré!:
[Stone sculpture]

Puffer:
[stone sculpture]

Swan:
[stone swan]

Dolphin Play:
[stone

Dolphin:
[Stone Art]

Sailin':
[Stone Sculpture]

Rapunzel:
[stone

My Little Woman:
[stone sculpture]

Flying Sea Turtles:
[limestone

by Kelly Borsheim

There's just something about stone. It has beauty, solidity, and strength. It communicates timelessness, probably because of the lengthy time-span of its own creation. Even before I knew I wanted to be an artist, I was in awe of stone sculpture. When I finally started sculpting in stone in 1997, I wasn't sure I would like it. Compared to clay, creating a shape in stone seemed to take forever. I do not consider myself a patient person. I was also a little nervous about it since I did not know if I could see things in just the subtractive sense. Stone carving removes the medium; one wrong blow and my sculpture might be a total loss.

However, when I began to polish my first stone sculpture, My Little Woman, I remembered why I fell in love with stone. Rubbing my hands on the soft alabaster after each successive sanding with finer and finer papers was incredibly therapeutic. [Although I still love the polishing of stone, after creating some larger works, I decided I didn't need that much therapy!]

Michelangelo claimed that he was simply the servant or tool that removed the part of the stone that was not the sculpture. Perhaps he really thought that. I do not think so. Stone sculpture is a collaboration between stone and sculptor. I live with the rocks for a long time before I see the shapes emerge. I study the patterns in the rock and the shape of the stone. Yet I do not doubt that another person would see something different in the same stone. What I think about, what I believe, how I feel, and who I am help to shape what I am likely to see in the stone. Stone has its own personality. So do I. Working with the stone to shape it, for me, is a humbling, yet totally thrilling experience.

Many of the pages of the individual sculptures will include some text and images of the work as it was being created. Thank you for visiting.



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